Film

Mike Flanagan’s latest Stephen King adaptation, The Life of Chuck, marks both a continuation and departure for the horror director.

Dead Talents Society is a darkly comedic love letter to the misfits, the losers, and anyone who has ever struggled to find what makes them special.

Anora is a rich, layered, and wonderfully lived-in experience that despite how outrageous it becomes, never fails to teem with painfully real emotions.

It’s easy to admire Oppenheimer’s musical vision, but difficult to love. The End recalls the musical greats of yore, with none of the power and style.

Kaniehtiio Horn’s Seeds highlights her distinct voice and perspective and also confirms she deserves more leading lady material.

Viet and Nam delivers a heartbreaking tragedy about two young coal miners looking for a brighter future against impossible odds.

Love In The Big City follows two social misfits who find solace in one another’s friendship as they try and grapple with their identities.

Righteously angry, Rebel Ridge is a pointed indictment of the United States policing system and a near perfect thriller.

As admirable as The Seed of The Sacred Fig is, heavy-handed messaging and a clunky third act keep it from greatness.

Beetlejuice Beetlejuice is a hilarious sequel to the original film that manages to stand on its own, simply by letting the juice go loose.