Film
Premiering at the SXSW Film Festival, The End of Us, directed by Steven Kanter and Henry Loevner, is a slice-of-life and that’s a good thing.
‘Executive Order’ directed by Lázaro Ramos; written by Lusa Silvestre, Aldri Anunciação, Elísio Lopes Jr. and Ramos. Premiering at SXSW Film Festival
IFC Midnight’s Come True delivers science fiction and horror by using sleep paralysis and all the fear and anxiety that comes with that.
Moxie is a feminist teen movie that has a lot of heart and diversity but doesn’t have enough focus on its core themes and message.
Stray is an immersive feature debut from Elizabeth Lo that takes you on a contemplative journey through the eyes of three wandering dogs.
Bombay Rose introduces viewers to Kamala. A kind young woman who sells flowers streetside to support her kid sister and grandfather.
Yes Day is directed by Miguel Arteta and adapted to the screen by Justin Malen from Amy Krouse Rosenthal and Tom Lichtenheld’s book of the same name.
Boss Level embraces a video game aesthetic with a 4th wall-breaking narration ala Wade Wilson. And honestly? I had a lot of fun.
Coming 2 America doesn’t quite hit the heights of its predecessor, yet still delivers both genuinely heartfelt and hilarious moments.
First announced in 2011, Chaos Walking is finally having it’s theatrical debut this week after delays due to both extensive reshoots and COVID-19.
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Primate (2025) is at home in its absurd violence, pulling apart jaws, smashing in skulls, ripping off faces, is where it shines.














