Film

In It Needs Eyes, we’re exploring the algorithm, the difficult to discern between what’s real and fake, as well the need to dig.

Affection is the directorial debut of screenwriter BT Meza, who crafts a film that’ll leave you guessing until the reveal.

In Byun Sung-hyun’s Good News, Sul Kyung-gu is tapped into the ring again as a North Korean defector simply referred to as Nobody.

Frantic and layered, Blue Moon is a strong display of acting with a lot to say about legacy and loss between Lorenz Hart and Richard Rodgers.

The Woman in Cabin 10, Netflix’s latest Original Film starring Keira Knightley, is giving us the whodunnit we’ve been looking for.

Directed by Kenji Iwaisawa, 100 Meters beautifully brings the magnetic athleticism of Uoto’s work to life by tracking two athletes.

After The Hunt fails to skim beyond the surface of its topical juggling act, proving to be a frustrating lesson in patience.

TRON Ares is pure vibes, and I guess, in that way, it’s picking up the franchise’s legacy the only way you really can. 

Good Luck Have Fun Don’t Die is a rousing success due to its cast, social commentary, and dynamic direction from Gore Verbinski.

CAMP is a lot to sit with, deeply concerned with exploring its central characters mindset while also flirting with breaks into the surreal.