Film
Night Fight is admirable in its ambition and scope but far too scattered in its execution to come together as a cohesive work.
Friendship is bizarre, unsettling, and, for the right audience, one of the funniest movies to come out in quite some time.
The Day the Earth Blew Up is proof that legacy characters don’t have to rely on nostalgia to have successful modern movies.
Despite its emphasis on control, Control Freak loses it by juggling different variables. There’s potential there, but it is delayed on launch.
The Accountant 2 is a more mature film than its original that doesn’t distance itself from the concept that has been raked over the coals.
Sadie Sink leads O’Dessa, an original rock opera that spans music genre and packs every frame with excess.
Hallow Road sees Rosamund Pike and Matthew Rhys on a trip into pure dread in an impressively sustained thriller like no other.
Novocaine (2025) turns Jack Quaid into an unlikely action star in a hilarious and hard-punching action-comedy about a guy that can feel no pain.
Hellboy The Crooked Man offers comic-accurate visuals but struggles with narrative changes and inconsistent CGI, losing the essence of the original.
Plankton The Movie is a heartfelt yet villainous love story, blending classic humor, references, and Bikini Bottom’s signature chaos.
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Trust (2025) delivers a lackluster survival thriller that’s only worthwhile in order to support female filmmakers.