Film

Confession thrives in its simplicity, chemistry, and ability to show multiple truths and lies without losing narrative focus.

The Pass: Last Days of the Samurai serves as a spiritual successor to the work of Akira Kurosawa, and is equal parts touching and tragic.

Cult Hero has a great premise and excellent production value for a grindhouse film, yet it’s saddled with a profoundly uninteresting lead.

Michelle Garca Cervera’s Huesera captures the physical change of motherhood and birth in excruciating detail that reshapes maternal horror.

Girl Picture is a Finnish coming-of-age romance where one best friend is trying to discover pleasure in sex while the other is avoiding intimacy.

Relax, I’m From The Future is a rather unorthodox time travel comedy with a heartfelt message buried under its deceptively simple narrative.

In You Can Live Forever, two girls fall in love, but can their love withstand the cult-ish community one of them is devoted to?

The third installment in the series, Recurrence, sees retired Detective Pipa in the middle of a murder investigation of a young native girl.

All Kinds of Love shows that love can look different in a romantic comedy than what we’re used to, as Max and Conrad find love across an age gap.

Yûgo Sakamoto’s Baby Assassins is an eccentric comedy where two teenage hitwomen are forced to hunt for normal everyday jobs.