Film
Deadstream offers up a live-stream horror comedy with an unlikable protagonist that’s perfect to watch be terorrized in a haunted house.
The Andy Warhol Diaries, based on the book of the same title, explores Andy Warhol as a person before the artist.
Deep Water falters as a romantic thriller, no thanks to whiplash editing and a lack of chemistry between Ben Affleck and Ana de Armas.
Stay The Night is a surprisingly moving look at how modern-day relationships work, and proof that you don’t have to rush a romance.
Spin Me Round serves as a perplexing, yet entertaining fusion between Eat, Pray, Love and Eyes Wide Shut, thanks to its cast and crew.
Emergency is a film that’s equal parts hilarious and horrifying, weaving clever social commentary into the college party subgenre.
A24 and Halina Reijn Bodies Bodies Bodies offers up a chaotic whodunnit that becomes increasingly unhinged over a night of drugs and secrets.
At SXSW Mariama Diallo’s Master is a stark look at the racism and horror in academia with an otherworldly twist.
‘The Pez Outlaw’ is a charming and lighthearted documentary about a collector turned smuggler via the sweet potential of Pez dispensers.
Scream Gems’ Horror Lab, BLINK is a horror short-film that takes sleep paralysis as a concept and makes it more terrifying.
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Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
10Dance understands the heart of Inoue Satoh’s manga, and director Keishi Otomo understands precisely how to embrace the audience.
Primate (2025) is at home in its absurd violence, pulling apart jaws, smashing in skulls, ripping off faces, is where it shines.














