Film
A slow-burning force of nature, The Innocents from IFC Midnight and Eskil Vogt shocks and unsettles without heavy reliance on gore.
‘Just Animals’ is a raw and intimate psychological portrait of animal activism as well as a powerful reminder of the importance of animal life.
Alex Garland’s Men (2022) isn’t extremely cerebral, but it does use genre trappings that evolve into an unnerving look at gendered violence.
Fazila Amiri’s excellent ‘And Still I Sing’ follows three Afgan singers using their voices to fight for women’s rights before the Taliban’s return to power.
The Takedown follows the exploit of two ex-police partners who are forced together to solve a murder in a small city outside of Paris
40 Years Young is about Cesár’s midlife crises as his wife’s secret boyfriend is released from prison, his son isn’t actually his, and his mother dies
Showtime 1958 is the recounting of a 1958 cabaret held to support the striking actors as well as the writing of the Eid al-Fitr song “Aidilfitri Mulia.”
The MCU continues to play in the multiverse with Doctor Strange in the Multiverse of Madness as it pushes the boundaries further.
‘The Killing of a Journalist’ is the tragic story behind the murder of Ján Kuciak and Martina Kušnírová in Slovakia.
Ron Howard’s new documentary ‘We Feed People’ is the straightforward but inspiring story of World Central Kitchen and humanitarian chef José Andrés.
TRENDING POSTS
Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
A slow-burning submarine voyage into cosmic dread, Iron Lung, directed by Mark Fischbach, fundamentally trusts its audience.
Emerald Fennell’s latest, “Wuthering Heights,” trades in gothic storytelling for pastel dreams and a pedestrian affair.














