Universal’s Drop shows that once again, Christopher Landon can turn a narrative gimmick into a gold medal genre thrill ride.
Author: Kate Sánchez
Kate Sánchez
Kate Sánchez is the Founder and Editor-in-Chief of But Why Tho? A Geek Community. There, she coordinates film, television, anime, and manga coverage. Kate is also a freelance journalist writing features on video games, anime, and film. Her focus as a critic is championing animation and international films and television series for inclusion in awards cycles. Find her on Bluesky @ohmymithrandir.bsky.social
Clown In A Cornfield is a great stab at the early aughts sensibilities, aesthetics, and comedy that we haven’t seen executed this well in a while.
Developed by Ivy Road and published by Annapurna Interactive, Wanderstop is the best and worst thing I could have played. In a narrative-centric, cozy…
The Accountant 2 is a more mature film than its original that doesn’t distance itself from the concept that has been raked over the coals.
Sadie Sink leads O’Dessa, an original rock opera that spans music genre and packs every frame with excess.
Hideo Kojima shared the pandemic inspirations behind Death Stranding 2, the release date for the sequel, and more.
Mickey 17 keeps Bong Joon-ho’s filmography as an inventive and incisive look at how bad everything is and how we can improve it.
Clair Obscur: Expedition 33 is one of those rare games that wears its influences on its sleeves while never losing its specificity.