Thriller
Tuner (2025) navigates multiple genres in perfect harmony, introducing chaos at the crescendo and laying its audience down into an emotional pool.
Send Help marks a return to form for Sam Raimi’s revered genre leanings and allows Rachel McAdams and Dylan O’Brien to shine.
Maika Monroe stars as a woman on the run in the thrilling yet uneven crime thriller from director Maxime Giraud, In Cold Light.
Jodie Foster delivers an excellent performance in the mystery thriller A Private Life as a psychiatrist investigating the death of one of her patients.
His and Hers (2026) thrives on the messiness of what spouses don’t say about their past and present, even if it’s melodrama is too much at times.
Dead Man’s Wire is a very solid crime thriller built upon strong performances and an opaque sense of justice.
What starts off promising in Stephen (2025) turns into a bloated, long-winded tale that loses steam long before it gets to its final big twist.
City of Shadows sees the city of Barcelona terrified by a serial killer who is burning victims alive at historical landmarks.
The Housemaid manifests as a campy comedy caught in the shell of a straight-faced thriller and, in turn, unleashes one of the hottest messes in recent memory
From absolute chills to agonizing tension, The Price of Confession absolutely succeeds at getting under the skin.
TRENDING POSTS
The Art of Sarah is too much of a good thing. Its mystery takes too many frustrating twists and turns. Still, the topics it explores offers much.
Unfamiliar follows a couple of ex-spies as their past catches up with them, threatening the lives they’ve made for themselves.
Trust (2025) delivers a lackluster survival thriller that’s only worthwhile in order to support female filmmakers.













