Thriller
Holy Night Demon Hunters throws everything familiar with the exorcism genre against the wall, hoping it’ll stick. It’s chaotic but it works.
The Amateur follows a CIA decryption specialist as he seeks vengeance on those who killed his wife, attempting to pose harsh moral questions.
Yeon Sang-ho’s Revelations (2025) is, by and large, an okay film. Ryu Jun-yeol steals the show, giving one of his strongest performances yet.
Woman of the Dead Season 2 returns to visit Blüm two years after the events of season one, as one of her secrets are unearthed.
Hallow Road sees Rosamund Pike and Matthew Rhys on a trip into pure dread in an impressively sustained thriller like no other.
Hitmen, corruption, and a masked crime syndicate collide om Netflix’s ‘Demon City,’ a live-action adaptation of Masamichi Kawabe’s ‘Oni Goroshi.’
Netflix’s Carry-On is an action thriller that absolutely understands where it belongs in its genre and in the Christmas season.
Don’t Move sees Iris attempt to stave off death until a paralyzing agent injected in her has run its course in this unique thriller.
The Platform 2 fails to ascend past its predecessor, retreading familiar territory and forgoing the benefits of delicious ambiguity.
A thriller-comedy with a bit of bite, Get Away has an iffy execution of the third act, but the payoff is fun mayhem all the same.
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Wall to Wall (2025) seems like it would be built on a solid foundation. Unfortunately, once it reaches the halfway mark, it starts to crumble.