Toronto International Film Festival (TIFF)

Taika Waititi’s specific brand of referential, prolonged comedy is laden with diminishing return in Next Goal Wins.

The Holdovers manifests as a priceless relic of a bygone era, a lost 70s classic that doubles as a new Christmas classic.

Monster teems with humanity, using its narrative structure to uncover something prescient and devastating about modern morals.

Jonathan Glazer’s The Zone of Interest is one of the most damning portraits of human consciousness ever committed to celluloid.

The Boy and the Heron is a mature, solemn, and jubilant meditation on loss and legacy, one that deems death to be a transitory act.

Justine Triet’s Anatomy of a Fall, like the most resonant of art, reflects life in all its ambiguity back at us at every opportunity.

In his latest drama Goddamned Asura, Taiwanese director, and writer Lou Yi-an, tries to answer find the reason behind a random act of violence.

Snakehead is the crime saga starring Shuya Chang and Jade Wu and is as much about the gritty underworld of human trafficking,

Alone. Isolated. Lonely. Grief. In her feature film, debut writer and director Hong Sun-eun expertly…

Snakehead, by Evan Jackson Leong, is as much about the underworld of human trafficking, as it is about the emotional toll being an immigrant takes.