Fantastic Fest
The Apprentice is an aspiring crook epic, aiming to lay bare the moral rot that comes with capitalism. More often than not, it hits its target.
Jung Hae-in and Hwang Jung-min are a dynamic action duo that balance each other perfectly in I The Executioner.
Outside of Julia Garner’s understated performance and sharp direction, there’s not enough fresh to recommend visiting Apartment 7A
Surprisingly, House of Spoils is bewitchingly relevant—using ambition and talent to tell its lead and audience to just let it go.
A college student is possessed by the ghost of an assassin in Ghost Killer, a fun action comedy film that delivers spectacular action sequences.
Adding a sci-fi element in the mix, V/H/S/Beyond succeeds for one reason: nearly all the segments are great.
The Wild Robot solidifies the beauty and impact that Dreamworks has been delivering in animation, and solidifies them as the studio to watch.
Never Let Go, feels like a fight between an atmospheric high tension pot boiler and a slow character study that barely reconciles the two halves.
Terrifier 3 is a film that throttles so far over the line into bad taste that it becomes utterly enthralling.
With a fantastic cast that sells you on every joke and vapid play to get in someone’s bed, Totally Killer is totally fantastic.
TRENDING POSTS
A stylish vessel of the past, Primetime asks its audience to decide what meaning to fill it with, and it’s worse for it.
Anti-colonial horror at its finest, Mārama is moving and cathartic, Ariana Osborne makes this Maori gothic revenge horror story near perfect.













