Fantastic Fest
In “The Old Man,” three kids and their grandfather attempt to retrieve their prized cow after its set loose in order to prevent a disastrous accident.
Horror is in my bones. It’s in my DNA. It’s a vital piece of who I am and its because I’m Mexican American and how I explore and form roots in the genre.
Elijah Wood’s Come to Daddy is a thrilling ride that shakes the ground just when you think you know the story being told.
The Wave is an indie film that starts off on one end of a drug-induced spectrum and reveals a moral quest underneath its shell.
The Lighthouse is an atmospheric and bleak horror film from Robert Eggers that brings the best out of its stars Willem Dafoe and Robert Pattinson.
At Fantastic Fest 2019 I got the opportunity to see The Mortuary Collection and talk to the anthology film’s director, Ryan Spindell.
At Fantastic Fest 2019 we got the chance to speak with Alexandre Philippe about his film, Memory: The Origins of Alien.
Memory: The Origins of Alien is a story that is best left explained to the film itself, a magic that is only felt through Philippe’s work.
In Sweetheart, written and directed by J.D. Dillard, we get a survival horror creature feature that gets your blood pumping with the same fear of Jaws.
The director of The Cleansing Hour Damien LeVeck talks through the film’s special effects, its diverse cast, and more.
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A stylish vessel of the past, Primetime asks its audience to decide what meaning to fill it with, and it’s worse for it.
Anti-colonial horror at its finest, Mārama is moving and cathartic, Ariana Osborne makes this Maori gothic revenge horror story near perfect.











