Film

Transformers One breathes new life into the Transformers franchise in the most superb ways, while keeping it rooted in the canon beloved by fans.

Aside from its fascinating take on its anti-aging science, Shell is a tonally confused, half-baked attempt at a girl power moment.

Heretic will challenge its viewers, even if it doesn’t necessarily challenge or take a definitive stance amid its discussions.

Luca Guadagnino’s Queer is so overpowering and mesmeric, that it becomes almost instinctual to fall under its sultry spell.

Blumhouse’s Speak No Evil severely misunderstands the appeal of the original, offering little but a pale imitation.

Red Rooms is a harrowing thriller that centers the moral rot that can accompany going down the true crime rabbit hole.

With a terrific cast but lackluster direction and writing, Saturday Night recounts the premiere night of Saturday Night Live.

Even if “The Room Next Door” is a minor entry in his canon, Almodóvar still understands how to stir and scintillate.

Pamela Anderson stars as a Las Vegas showgirl in Gia Coppola’s emotionally stirring and introspective The Last Showgirl.

All of You (2024) finds a stronger foundation when dissecting the tragedy of its romance, even if relationship itself proves frustrating.