Film
Come to Maestro for the indelible performances and use of music, stay for the masterclass in editing and the power of love and attraction.
Believer 2 functions better when viewed through the lens of a duology, completing a story in ways viewers will not expect.
Napoleon is trapped in an identity crisis, utterly grand and immaculate in one breath, and incredibly zany and confusing the next.
Wish is ultimately not only far too cookie-cutter but disappointingly bad in some of its most important elements: visuals, music, and characters.
Rustin isn’t necessarily revolutionary, but the man it centers on was and Coleman Domingo remains one of the best actors working now.
In Love and Deep Water has a lot of promise but gets lost at sea in trying to figure out what kind of direction it wants to go.
While it’s not the best Christmas movie ever, Best. Christmas. Ever! reminds us it’s okay to be hopeful even when things don’t go our way.
The Hunger Games: The Ballad of Songbirds & Snakes undercuts the legacy of the series by asking for sympathy without context.
Godzilla Minus One not only captures the might of Godzilla but reminds us why balance and infusing soul into the characters pays off.
It’s a Wonderful Knife is a heartwarming classic with a blood-soaked spin, plunging into darker realms than its inspiration.
TRENDING POSTS
Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
A slow-burning submarine voyage into cosmic dread, Iron Lung, directed by Mark Fischbach, fundamentally trusts its audience.
Emerald Fennell’s latest, “Wuthering Heights,” trades in gothic storytelling for pastel dreams and a pedestrian affair.














