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The Platform 2 fails to ascend past its predecessor, retreading familiar territory and forgoing the benefits of delicious ambiguity.
Joker Folie À Deux is beautiful to look at, even with the grime, but it never trusts its performers enough to make something truly great.
A Different Man marries dark comedy and psychological thrills wrapped up in a deeply unsettling, intellectually invigorating package.
A thriller-comedy with a bit of bite, the execution of the third act .turn may be slightly too quick, but the payoff is fun mayhem all the same.
Escape From The 21st Century is the very best piece of media fueled by nostalgia with a unique take on genre exploration and storytelling.
Yugo Sakamoto’s Baby Assassins 3 is the best Baby Assassins has ever been through and through for the kinetic Akari Takaishi and Saori Izawa,
Better Man has heart in spades, never losing itself in its absurd premise, but instead always presents a sincere portrait of Robbie Williams.
What makes this Kurosawa film, Cloud (2024) stand out is the dedication to using every situation as the build-up to something rich.
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The Snow Sister (2024) is refreshing in its embrace of the ghostly habits of more somber traditional Christmas storytelling.
Jacques Audiard’s ‘Emilia Pérez’ is a deeply offensive movie towards México with its shallow and unauthentic representation.
That Christmas may not be the most revolutionary holiday film, but there’s enough heart, silliness, and prime messaging in this animated film to give it its wings.