Film
‘Attack on Titan: The Last Attack’ is produced by MAPPA and directed by Jun Shishido and Yuichiro Hayashi now brings the thrilling conclusion in one theatrical piece.
Bunnylovr is a strong showing of tenderness and understanding that highlights Katarina Zhu’s ability to paint an immersive portrait.
Writer-director Rashad Frett’s feature debut, Ricky (2025), is necessary viewing, and a prime example of compassionate storytelling.
Plainclothes (2025) is an emotionally dense watch as Lucas comes into his truth, but his guilt weighs heavy.
LUZ is backed by an easy on the eyes aesthetic, but its wandering nature and lack of real insight leaves it as a missed opportunity.
Cole Webley and Robert Machoian’s Omaha (2025) is a family portrait you can’t pull your eyes away from, a movie that thrives in subtly.
Rose Byrne’s If I Had Legs I’d Kick You will make you want to crawl under my seat, it will make you want to simply stop existing.
It’s Never Over Jeff Buckley (2025) lifts the curtain back on the lost voice of a generation, revealing someone who contained multitudes.
Atropia (2025) is a different kind of military movie using comedy and irony to highlight the evils of war and the ridiculousness of being an actor.
Isabel Castro’s Selena Y Los Dinos doesn’t do much to add to Selena’s legacy, just small brief moments of vulnerability.
TRENDING POSTS
In Snow White (2025) Rachel Zegler stands out in a good remake sullied by a bad casting choice and over-reliance on underperforming digital aspects.
Dave Franco and Alison Brie’s Together (2025) is disgustingly funny, genuinely ugly, and just a good time at the movies.
Warfare (2025) is told from memory, and this A24 project can’t stop feeling intimately personal, even when it shocks.