Film
Anthology film Freaky Tales is a triumph of genre cinema. It’s loud, brash, hilarious, and packed with satisfying action.
ISS is a movie that uses its situation to ramp up the intensity and the actors rise up to meet it too, but doesn’t push past expectation.
Your Monster is a weird, dark, and fantastical tale. Melissa Barrera is a vulnerable, messy, and above all else, cathartic.
Maboroshi follows Masamune and Mutsumi as they struggle with the fact that their town has become frozen in time, except for one person.
Role Play (2024) boasts stellar performances, but lackluster reveals and predictability hinders its potential to stand out in the genre.
Kevin Hart’s suave charm shines in Lift (2024), a heist film with endearing ensemble chemistry, making it a worthwhile Netflix watch.
Sixty Minutes creatively sets a movie timer for MMA fighter Octavio to get to his daughter’s seventh birthday or risk losing her.
The Beekeeper has dialogue that’s more wince-inducing than any gory act of violence it depicts in this lifeless Jason Statham action vehicle.
While the Mean Girls 2024 story and its songs are great, it’s the work that the cast puts in that makes the musical film extraordinary.
‘Great Pretender razbliuto’ centers the story on Dorothy who, despite not remembering her past, is thrown into danger with mounting threats.
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Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
10Dance understands the heart of Inoue Satoh’s manga, and director Keishi Otomo understands precisely how to embrace the audience.
Primate (2025) is at home in its absurd violence, pulling apart jaws, smashing in skulls, ripping off faces, is where it shines.














