Film
GG Hawkins’ sophomore film, I Really Love My Husband, is simple and slow, excelling in capturing a real messy paradise.
The Parenting brings a couple and their parents to a remote rental for the weekend only for the haunted house’s demon to test their relationship.
Nirvanna the Band the Show the Movie is a laugh riot that takes Matt Johnson and Jay McCarrol’s brainchild to new, legally dodgy heights.
Black Bag is smartly crafted for a subtly humorous and fully thrilling experience between two spies who are married to each other.
Universal’s Drop shows that once again, Christopher Landon can turn a narrative gimmick into a gold medal genre thrill ride.
Clown In A Cornfield is a great stab at the early aughts sensibilities, aesthetics, and comedy that we haven’t seen executed this well in a while.
Not only does Opus draw too much from the drying well of an increasingly tired horror concept but lacks the bite to make the venture worthwhile.
Night Fight is admirable in its ambition and scope but far too scattered in its execution to come together as a cohesive work.
Friendship is bizarre, unsettling, and, for the right audience, one of the funniest movies to come out in quite some time.
The Day the Earth Blew Up is proof that legacy characters don’t have to rely on nostalgia to have successful modern movies.
TRENDING POSTS
Netflix’s Swedish film, The Storm, is one hell of a dinner party and an even more epic cinematic meltdown.
Sense and Sensibility (2026) lets romance take a backseat to sisterhood in Georgia Oakley’s emotional interpretation of Jane Austen’s beloved novel.
Street Fighter is at its best, not when it attempts to avoid being cheesy or campy, but when it leans into it. It’s a love letter to the video game.















