Film
The Shrouds is a cold and stiff film itself, akin to that of a corpse, and not in a complimentary fashion.
With pedal-to-the-metal performances from all, horrifyingly creative gore, goo, and everything in between, The Substance is a knockout.
Atlas is pretty and Lopez continues her run as a competent action star, but the film badly wants to be an anime without any worldbuilding.
My Oni Girl follows Hiiragi and Tsumugi as they go on a life-altering adventure filled with fantastic danger and self-discovery.
Furiosa is Anya Taylor-Joy at her best and a true testament to Chris Hemsworth’s talent when he’s allowed to hit beyond expectations.
HAIKYU The Dumpster Battle captures the energy of the series while amplifying the tension as Karasuno High and Nekoma High face off.
Golden Kamuy follows Saichi Sugimoto as he’s caught up in a race to discover the whereabouts of a missing fortune in gold.
Whether or not Megalopolis is considered a masterpiece or a wild miss, it’s apparent that there has never been anything quite like this.
Mother of the Bride could finally make me swear off Netflix Original rom-coms for good—it’s so well conceived and so poorly executed.
Kingdom of the Planet of the Apes is a thoughtful, visually accomplished work that continues the franchise track record.
TRENDING POSTS
Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
A slow-burning submarine voyage into cosmic dread, Iron Lung, directed by Mark Fischbach, fundamentally trusts its audience.
Emerald Fennell’s latest, “Wuthering Heights,” trades in gothic storytelling for pastel dreams and a pedestrian affair.














