Film
HAIKYU The Dumpster Battle captures the energy of the series while amplifying the tension as Karasuno High and Nekoma High face off.
Golden Kamuy follows Saichi Sugimoto as he’s caught up in a race to discover the whereabouts of a missing fortune in gold.
Whether or not Megalopolis is considered a masterpiece or a wild miss, it’s apparent that there has never been anything quite like this.
Mother of the Bride could finally make me swear off Netflix Original rom-coms for good—it’s so well conceived and so poorly executed.
Kingdom of the Planet of the Apes is a thoughtful, visually accomplished work that continues the franchise track record.
Prom Dates has some highlights, but like most proms, it’s a completely forgettable dramedy about best friends trying to find last minute prom dates.
13 Bombs sees a terrorist cell attempt to destabilize the Indonesian financial system and drag two cryptocurrency executives into the plot.
Ryusuke Hamaguchi delivers a haunting and mournful thriller in his latest, Evil Does Not Exist, which shows the effects of urban gentrification.
Brutal action, vibrant cinematography, and a stellar score should be a top-tier actioner—but Boy Kills World gets lost in the middle.
City Hunter thrives on its absurdity. Sure, Ryo Saeba isn’t the most likable protagonist, but he is endlessly charismatic.
TRENDING POSTS
Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
10Dance understands the heart of Inoue Satoh’s manga, and director Keishi Otomo understands precisely how to embrace the audience.
Primate (2025) is at home in its absurd violence, pulling apart jaws, smashing in skulls, ripping off faces, is where it shines.














