Film

With a terrific cast but lackluster direction and writing, Saturday Night recounts the premiere night of Saturday Night Live.

Even if “The Room Next Door” is a minor entry in his canon, Almodóvar still understands how to stir and scintillate.

Pamela Anderson stars as a Las Vegas showgirl in Gia Coppola’s emotionally stirring and introspective The Last Showgirl.

All of You (2024) finds a stronger foundation when dissecting the tragedy of its romance, even if relationship itself proves frustrating.

The worlds of faith and politics don’t collide in Conclave but reveal themselves to be intrinsically intertwined with great wit and poignancy.

A would-be feel good holiday film is held back by frustrating characters and a dull storyline in Nutcrackers starring Ben Stiller.

Mike Flanagan’s latest Stephen King adaptation, The Life of Chuck, marks both a continuation and departure for the horror director.

Dead Talents Society is a darkly comedic love letter to the misfits, the losers, and anyone who has ever struggled to find what makes them special.

Anora is a rich, layered, and wonderfully lived-in experience that despite how outrageous it becomes, never fails to teem with painfully real emotions.

It’s easy to admire Oppenheimer’s musical vision, but difficult to love. The End recalls the musical greats of yore, with none of the power and style.