Film

Woo Min-ho’s Harbin is tension-ridden and offers a shallow albeit successfully inspiring display of resistance against all odds.

Surprisingly, House of Spoils is bewitchingly relevant—using ambition and talent to tell its lead and audience to just let it go.

A college student is possessed by the ghost of an assassin in Ghost Killer, a fun action comedy film that delivers spectacular action sequences.

Adding a sci-fi element in the mix, V/H/S/Beyond succeeds for one reason: nearly all the segments are great.

Despite some shortcomings in the way their conversations are framed, Will and Harper shows that trans people are everywhere and are loved.

The Wild Robot solidifies the beauty and impact that Dreamworks has been delivering in animation, and solidifies them as the studio to watch.

Never Let Go, feels like a fight between an atmospheric high tension pot boiler and a slow character study that barely reconciles the two halves.

Terrifier 3 is a film that throttles so far over the line into bad taste that it becomes utterly enthralling.

The best thing Boxer (2024) has going is the fact that underneath the predictable formula, there still is an interesting story about immigration.

The Shadow Strays continues to prove Tjahjanto’s mad contributions to the action sphere, and underneath is a journey of a woman wanting more