Film
Yorgos Lanthimos’ Poor Things manages to be deeply absurd, shocking, fantastical, and at the same time, deeply sincere.
The entirety of Fallen Leaves hinges upon its subtle, bone-dry humor and the incredibly awkward love that buds between its lonely characters.
May December is a force of a film because of the acting throughout it, with Charles Melton delivering one of the best performances of 2023.
The Taste of Things is a stunning ode to food and the people who share it with one another—as beautiful a depiction of cooking as love.
Candy Cane Lane delivers Christmas cheer with Eddie Murphy’s humor and festive family chaos as the Carver family finds the meaning of Christmas.
John Woo and Joel Kinnaman’s Christmas take on vengeance, Silent Night commits an action movie’s biggest sin: it’s boring.
American Symphony follows Jon Batiste through his historic nominations and journey to American Symphony while his wife endures cancer.
I Don’t Expect Anyone to Believe Me follows Juan Pablo as he struggles to navigate dangerous waters when he runs afoul of a drug cartel.
Last Call for Istanbul sees two strangers, Ryan and Samantha, meet in an airport and end up having a night that will change their lives.
Leave The World Behind not only a cut above its streaming contemporaries, but sharper than anything one could’ve expected on the platform.
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With his horror film Sinners, Ryan Coogler proves himself once again as a master filmmaker with original and bold vision.
In Snow White (2025) Rachel Zegler stands out in a good remake sullied by a bad casting choice and over-reliance on underperforming digital aspects.
Warfare (2025) is told from memory, and this A24 project can’t stop feeling intimately personal, even when it shocks.