Film
Despite the dark moments that occur prior to the film’s ending, The Serpent’s Skin allows for tenderness for both Gen and Anna.
Incomplete Chairs fits the bill in terms of being a daring splatter horror film, that also happens to dig into consumerism.
Guillermo del Toro has taken Victor Frankenstein from mad scientist back to the tortured soul, and we are better for it.
The Hand That Rocks The Cradle (2025) is split between being a thrilling remake and a story restrained by its source material.
With some editing, The Twits could have been something great, with strong animation and music, finding itself in the middle instead.
Many horror fans feel safe in the genre, and many folks will be comfortable hanging out in the world of Queens of the Dead.
In It Needs Eyes, we’re exploring the algorithm, the difficult to discern between what’s real and fake, as well the need to dig.
Affection is the directorial debut of screenwriter BT Meza, who crafts a film that’ll leave you guessing until the reveal.
In Byun Sung-hyun’s Good News, Sul Kyung-gu is tapped into the ring again as a North Korean defector simply referred to as Nobody.
Frantic and layered, Blue Moon is a strong display of acting with a lot to say about legacy and loss between Lorenz Hart and Richard Rodgers.
TRENDING POSTS
Mango (2025) is a typical rom-com about a workaholic mom who falls in love with the mango farmer she’s supposed to convince to sell his land.
Despite its overt holiday aesthetic and joyfully dedicated cast, A Merry Little Ex-Mas ends up as a merry little frustration.
Less comfort viewing and more background noise, Joy To The World (2025) starts the 2025 holiday movie season on a forgettable note.















