Film
Justin Lin’s Last Days (2025) will undoubtedly find its audience, but it relies on how you view missionary work.
The Wedding Banquet (2025) enters the Asian American and queer cinema canon with pride, heart, and a message that we desperately need.
Will Ferrell and Reese Witherspoon book weddings for the same date on a tiny island, so they battle it out in You’re Cordially Invited.
Dave Franco and Alison Brie’s Together (2025) is disgustingly funny, genuinely ugly, and just a good time at the movies.
Trauma, insecurity, and grief are among the themes you can find among the five films vying for the 2025 Best Animated Short Film Oscar.
Train Dreams (2025) is a gorgeous story of love and loss and, ultimately, just about life with Joel Edgerton as it’s intimate center.
Rabbit Trap (2025) is a folk horror story that deals more with discomfort than with scares and loses itself in style over substance.
Beauty is brutal in Shudder’s The Ugly Stepsister, and Emilie Blichfeldt understands exactly how to capture that viscerally.
Twinless (2025) is a tender film, a comedy, a love story, a friendship story, and it’s one you won’t stop thinking about.
Flight Risk wastes no time in clipping its own wings, unfolding not only as a flightless exercise in tedium but a sorely missed opportunity.
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The Red Line, the latest Netflix international release, is a thrilling game of cat-and-mouse that follows a group of women seeking justice.















