Film
The Peasants is fulled painted animation highlighting what little autonomy Jagna when forced to marry Boryna instead of his son who she loves.
‘The Monk And The Gun’ is a delightfully biting satire from director Pawo Choyning Dorji who expertly plays with our expectations.
Argylle is the latest Matthew Vaughn farce, and it is a fun time, especially with a group of friends who don’t take things seriously.
In her new documentary ‘Bye Bye Tiberias,” director Lina Soualem luminously tells the story of her mother, Hiam Abbass, and their family.
The Heartbreak Agency doesn’t completely lack charm, but it does lack thoughtfulness as a disgraced journalist seeks heartbreak therapy.
Will (2024) is just another WWII movie doing little to push the medium—the areas where it attempts to are more exhausting than impactful.
While intended for kids, Orion and the Dark sits firmly with the rest of Kaufman’s oeuvre, packing an existential punch that resonates.
Jason Schwarzman plays a cantor who’s lost his voice and has to learn to love himself again in Between the Temples
The way Dìdi places you firmly in 2008 is uncanny, but the way it tells that history just slightly differently than how it probably was is perfect.
Powerful, somber, and with just the right amount of hope, Black Box Diaries is one of the most stunning uses of documentary filmmaking.
TRENDING POSTS
With his horror film Sinners, Ryan Coogler proves himself once again as a master filmmaker with original and bold vision.
In Snow White (2025) Rachel Zegler stands out in a good remake sullied by a bad casting choice and over-reliance on underperforming digital aspects.
Warfare (2025) is told from memory, and this A24 project can’t stop feeling intimately personal, even when it shocks.