Film

Thordur Palsson’s The Damned (2024) is an intriguing horror film that creatively showcases the damaging effects of guilt.

Sonic 3 offers infectious joy with Team Sonic at the core, even if we just needed a bit more of Shadow on the screen.

Mufasa: The Lion King is part of a long chain of movies ruined by the errant belief that IP is king, betraying its own morals along the way

Nosferatu (2024) shows that Robert Eggers has not finished growing as a filmmaker, as he expands a well-worn story into something unique.

Maria successfully showcases the interiority Angelina Jolie can bring to a role, but gets a bit lost in the weeds trying to capture a complicated woman.

If Kraven the Hunter is indicative of anything with Sony, it’s that they should’ve stayed in their lane making more trashy good times like this. 

Amy Adams is excellent as always, but, unfortunately, Nightbitch needed to sharpen its fangs, but instead, it plays it safe.

Nickel Boys is breathtaking in its suffocating beauty. Transcendent and painful, RaMell Ross delivers a haunting adapation.

A wickedly erotic game of cat-and-mouse, Babygirl is as irresistibly sexy as it expansive in its themes and performances.

That Christmas may not be the most revolutionary holiday film, but there’s enough heart, silliness, and prime messaging in this animated film to give it its wings.