Film

We Live In Time thrives on Florence Pugh and Andrew Garfield’s chemistry, but it succeeds because it showcases the different ways people love.

Whether you know much about Pharrell Williams’ history, Piece by Piece will impress and entertain with its personalities, LEGO antics, and more

The Platform 2 fails to ascend past its predecessor, retreading familiar territory and forgoing the benefits of delicious ambiguity.

Joker Folie À Deux is beautiful to look at, even with the grime, but it never trusts its performers enough to make something truly great.

A Different Man marries dark comedy and psychological thrills wrapped up in a deeply unsettling, intellectually invigorating package.

A thriller-comedy with a bit of bite, Get Away has an iffy execution of the third act, but the payoff is fun mayhem all the same.

Escape From The 21st Century is the very best piece of media fueled by nostalgia with a unique take on genre exploration and storytelling.

Yugo Sakamoto’s Baby Assassins 3 is the best Baby Assassins has ever been through and through for the kinetic Akari Takaishi and Saori Izawa,

Better Man has heart in spades, never losing itself in its absurd premise, but instead always presents a sincere portrait of Robbie Williams.

What makes this Kurosawa film, Cloud (2024) stand out is the dedication to using every situation as the build-up to something rich.