Film
Anthony Hopkins downplayed performance in One Life personifies the film’s central values, reminding us of our capacity to make a difference.
The Fall Guy isn’t just a Ryan Gosling fronted love letter to stunts, it’s a whole damn book that never stops feeling great.
Glorious in its violence, loud in its commentary, and unashamed of its love of the action canon, Monkey Man is superb.
My Dead Friend Zoe brings to light the very real struggle of veteran PTSD in a non-glamorized tearjerker anchored by Sonequa Martin-Green.
A24’s Y2K will find its movie audience among Zoomers and tail-end millennials, but for everyone else? Not so much.
Come to Babes (2024) for Ilana Glazer and Michelle Buteau’s outstanding chemistry and stay for the treatise on friendship.
Powerful, intimate and dynamic, A24’s Sing Sing is a perfect film and Colman Domingo’s best dramatic work.
Road House (2024) is a serviceable remake that knows what it is, and doesn’t strive to innovate—it’s the perfect movie for streaming.
Imaginary (2024) presents a fun concept with a unique twist but ultimately falls short due to an overcrowded narrative.
Damsel is a thrilling dark fantasy that far exceeds expectations, twisting and subverting the damsel-in-distress trope along the way.
TRENDING POSTS
With his horror film Sinners, Ryan Coogler proves himself once again as a master filmmaker with original and bold vision.
In Snow White (2025) Rachel Zegler stands out in a good remake sullied by a bad casting choice and over-reliance on underperforming digital aspects.
Warfare (2025) is told from memory, and this A24 project can’t stop feeling intimately personal, even when it shocks.