Film

The Crow is the rare comic book movie that slices opens its chest and lays its beating heart bare. Its sexy, gothic take stands on its own.

The Union isn’t good, but impressively, it isn’t bad either as old flames played by Mark Wahlberg and Halle Berry have to team up on a spy mission.

Caligula: The Ultimate Cut climbs out of its salacious cocoon to become what it was always meant to be: a genuine masterwork.

The Tenants is clever at its core and director Yoon Eun-kyoung’s ability to craft tension and dread from absurdity is something to be applauded.

Netflix Original Mission: Cross is light-hearted and action-packed and offers a salient take on marriage at the same time.

Alien: Romulus is a horror-forward swing for the fences with a third act that is uniquely unsettling, capturing the excitement of the original.

Mash Ville is a lot, and it’s not always coherent. Yet, it’s always entertaining, charismatic, and an extremely fun cinematic time.

Lolo and the Kid is sweet and simple, but it’s also special as this dynamic duo pretent to put Kid up for adoption so they can rob nice rich people blind.

Neil Marshall’s latest film, Duchess, is an inert hodgepodge of tropes from much better films thrown to screen without care.

Borderlands feels like glorified cosplay, where capable performers merely take position and feign emotion to get a nice group picture.