Film

Despite its emphasis on control, Control Freak loses it by juggling different variables. There’s potential there, but it is delayed on launch.

The Accountant 2 is a more mature film than its original that doesn’t distance itself from the concept that has been raked over the coals.

Sadie Sink leads O’Dessa, an original rock opera that spans music genre and packs every frame with excess.

Hallow Road sees Rosamund Pike and Matthew Rhys on a trip into pure dread in an impressively sustained thriller like no other.

Novocaine (2025) turns Jack Quaid into an unlikely action star in a hilarious and hard-punching action-comedy about a guy that can feel no pain.

Hellboy The Crooked Man offers comic-accurate visuals but struggles with narrative changes and inconsistent CGI, losing the essence of the original.

Plankton The Movie is a heartfelt yet villainous love story, blending classic humor, references, and Bikini Bottom’s signature chaos.

Mickey 17 keeps Bong Joon-ho’s filmography as an inventive and incisive look at how bad everything is and how we can improve it.

Queen of the Ring is a look at the birth of women’s wrestling through Mildred Burke, with Emily Bett Rickards like you’ve never seen before.

Trapezium follows high school student Azuma as she pursues her dream of being an idol, with little thought to what it could do to others.