Film

Spaceman often skims the surface of its sci-fi premise—labouring to evolve past an overliteral assessment of the human condition.

My Name is Loh Kiwan sees a North Korean defector and a former drug addict fighting for their lot in life while falling in love.

Drive-Away Dolls survives as a perfect distillation of the humour and heart Coen brought to his now-legendary partnership.

By refusing to shy away from the novel’s prescient themes, Dune Part Two redefines what stories blockbusters can tell.

Players doesn’t know what kind of character it’s about, as Mack uses her friends to help pick up the first guy she really likes.

When a couple wins the lottery, their best friends try to convince them to kill each other and take the money in Kill Me If You Dare (2024).

Five Blind Dates is an Australian romcom from Amazon Studios, directed by Shawn Seet and co-written by Shuang Hu and Nathan Ramos-Park.

Madame Web survives as the cinematic embodiment of the term “Superhero Fatigue,” lacking in originality and soul in a corporate hellscape

When a woman longs for something more exciting than her husband, terrible dialogue and equally dismal acting make Ashes (2024) unbearable to watch.

Suncoast offers a poignant exploration of family and death, weaving together stellar performances and thought-provoking themes.