Film

Guillermo del Toro has taken Victor Frankenstein from mad scientist back to the tortured soul, and we are better for it.

The Hand That Rocks The Cradle (2025) is split between being a thrilling remake and a story restrained by its source material.

With some editing, The Twits could have been something great, with strong animation and music, finding itself in the middle instead.

Many horror fans feel safe in the genre, and many folks will be comfortable hanging out in the world of Queens of the Dead.

In It Needs Eyes, we’re exploring the algorithm, the difficult to discern between what’s real and fake, as well the need to dig.

Affection is the directorial debut of screenwriter BT Meza, who crafts a film that’ll leave you guessing until the reveal.

In Byun Sung-hyun’s Good News, Sul Kyung-gu is tapped into the ring again as a North Korean defector simply referred to as Nobody.

Frantic and layered, Blue Moon is a strong display of acting with a lot to say about legacy and loss between Lorenz Hart and Richard Rodgers.

The Woman in Cabin 10, Netflix’s latest Original Film starring Keira Knightley, is giving us the whodunnit we’ve been looking for.

Directed by Kenji Iwaisawa, 100 Meters beautifully brings the magnetic athleticism of Uoto’s work to life by tracking two athletes.