Film
A24’s Y2KÂ will find its movie audience among Zoomers and tail-end millennials, but for everyone else? Not so much.
Come to Babes (2024) for Ilana Glazer and Michelle Buteau’s outstanding chemistry and stay for the treatise on friendship.
Powerful, intimate and dynamic, A24’s Sing Sing is a perfect film and Colman Domingo’s best dramatic work.
Road House (2024) is a serviceable remake that knows what it is, and doesn’t strive to innovate—it’s the perfect movie for streaming.
Imaginary (2024) presents a fun concept with a unique twist but ultimately falls short due to an overcrowded narrative.
Damsel is a thrilling dark fantasy that far exceeds expectations, twisting and subverting the damsel-in-distress trope along the way.
Kung Fu Panda 4 continues the franchise’s high-kick laughs and visually interesting fight scenes even when it stumbles.
Ricky Stanicky sees John Cena at his best despite a script muddled with clunky subplots and its attempts to pack in as many jokes as possible.
Megamind vs. the Doom Syndicate plays like an hour and half long trailer to get viewers into the franchises new series but ultimately falls flat.
Code 8: Part II is a continuation from the crowdfunded first movie. But the superhero sequel never does takes the franchise to another level.
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Love Forever is a new low for Netflix Originals—a completely bland and boring romance about two people who shouldn’t be getting married.
Jacques Audiard’s ‘Emilia Pérez’ is a deeply offensive movie towards México with its shallow and unauthentic representation.
Oh Belinda remakes the 1986 Turkish award-winner as actress Dilara gets stuck as a housewife in the world of a commercial she’s shooting.