Film
Diabolic from director Daniel J. Phillips struggles to maintain early momentum as it explores a woman dealing with an unlikely possession.
The Mortuary Assistant has the right ingredients with a talented cast, good effects, and writers familiar with the game, but it still fails.
Time Hoppers: The Silk Road is a landmark of Muslim representation in kids sci-fi, even if it still has its rough patches in certain areas.
Emerald Fennell’s latest, “Wuthering Heights,” trades in gothic storytelling for pastel dreams and a pedestrian affair.
GOAT may not be the greatest animation of all time, but it’s definitely a good one with a lot of heart and solid characters.
Pillion is a rousingly successful debut feature for Harry Lighton as he portrays typical romantic strife in an atypical leather kink relationship.
Tuner (2025) navigates multiple genres in perfect harmony, introducing chaos at the crescendo and laying its audience down into an emotional pool.
The Strangers Chapter 3 goes beyond being a serviceable slasher to a genuinely quite good one by having a fresh take on its titular villains.
Saccharine (2026) won’t find an audience with everyone, but for those who see themselves, they’ll feel anger, shame, and hopefully, catharsis.
Jimpa from director Sophie Hyde asks its audience to remain present with disappointment, affection, anger, and gratitude all at once.
TRENDING POSTS
Netflix’s Swedish film, The Storm, is one hell of a dinner party and an even more epic cinematic meltdown.
Sense and Sensibility (2026) lets romance take a backseat to sisterhood in Georgia Oakley’s emotional interpretation of Jane Austen’s beloved novel.
Street Fighter is at its best, not when it attempts to avoid being cheesy or campy, but when it leans into it. It’s a love letter to the video game.















