Film
Tense, unique, and unafraid to let silence dominate, We Bury The Dead is nothing you’d expect and everything that makes a zombie story compelling.
Amy Wang’s directorial debut, Slanted (2025) uses genre storytelling to capture a lived experience that resonates deeply.
The Rivals of Amziah King is a phenomenal sophomore film for Andrew Patterson, with Matthew McConaughey and Angelina LookingGlass leading.
Death of a Unicorn may struggle initially and edge on too much replication, even for an original concept, but it’s still a fun time.
The Surfer (2025) is a hell of a ride, taking audiences through a ridiculous rivalry between a man who just wants to surf and the men who refuse to let him do so.
GG Hawkins’ sophomore film, I Really Love My Husband, is simple and slow, excelling in capturing a real messy paradise.
The Parenting brings a couple and their parents to a remote rental for the weekend only for the haunted house’s demon to test their relationship.
Nirvanna the Band the Show the Movie is a laugh riot that takes Matt Johnson and Jay McCarrol’s brainchild to new, legally dodgy heights.
Black Bag is smartly crafted for a subtly humorous and fully thrilling experience between two spies who are married to each other.
Universal’s Drop shows that once again, Christopher Landon can turn a narrative gimmick into a gold medal genre thrill ride.
TRENDING POSTS
Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
10Dance understands the heart of Inoue Satoh’s manga, and director Keishi Otomo understands precisely how to embrace the audience.
Primate (2025) is at home in its absurd violence, pulling apart jaws, smashing in skulls, ripping off faces, is where it shines.














