Film
Israelism is a searing documentary about the underpinnings of support for Israel among the American Jewish community, and why it may be misplaced.
Ultraman: Rising is a rousing kaiju action film, a fantastic use of animation as a medium, and a deep emotional drama that honors its legacy.
This Closeness takes advantage of the sights and sounds of its tight quarters as an unhealthy relationship imposes itself on their rental host.
The Watchers (2024) is good folk horror and even better theater horror. Ishana Night Shamyalan’s debut film is worth the watch.
Under Paris follows Sophia as she faces a deadly shark who has been driven into the Seine due to pollution and environmental changes.
Dakota Johnson and Sonoya Mizuno star in the character-driven comedy, Am I OK? which can’t fully live up to its promise.
Bad Boys: Ride or Die is micro-content that’s ballooned way past its terminal point, subsisting off influencer cameos, feigned comedy, and gimmicky action.
The Blue Angels has exciting aerial cinematography that can’t drown out a weak commercial-like documentary narrative.
Colors of Evil: Red tells a brutal tale of violence and corruption when a young woman suffers a heinous act that leaves her dead.
A Part of You is a powerful depiction of a teenager coping with sudden and horrific loss, but the movie itself is drawn out and disinteresting.
TRENDING POSTS
‘Attack on Titan: The Last Attack’ is produced by MAPPA and directed by Jun Shishido and Yuichiro Hayashi now brings the thrilling conclusion in one theatrical piece.
Love Forever is a new low for Netflix Originals—a completely bland and boring romance about two people who shouldn’t be getting married.
Jacques Audiard’s ‘Emilia Pérez’ is a deeply offensive movie towards México with its shallow and unauthentic representation.