Film

Alien: Romulus is a horror-forward swing for the fences with a third act that is uniquely unsettling, capturing the excitement of the original.

Mash Ville is a lot, and it’s not always coherent. Yet, it’s always entertaining, charismatic, and an extremely fun cinematic time.

Lolo and the Kid is sweet and simple, but it’s also special as this dynamic duo pretent to put Kid up for adoption so they can rob nice rich people blind.

Neil Marshall’s latest film, Duchess, is an inert hodgepodge of tropes from much better films thrown to screen without care.

Borderlands feels like glorified cosplay, where capable performers merely take position and feign emotion to get a nice group picture.

Lily and Ryle fall in love in It Ends With Us, but as Ryle’s true nature slowly reveals itself, Lily’s past starts to repeat itself.

With a short runtime of just over an hour, Family Portrait is about what it makes you feel, not what it’s telling you.

Netflix produces a fair number of excellent original animated projects. Saving Bikini Bottom: The Sandy Cheeks…

House of Sayuri is interesting, scary, and funny, but its real flaw is the lack of balance in how it transitions through its emotions.

Rebel Moon – Chapter Two: Director’s Cut pulls out all the stops in a fully realized epic that plays to Zack Snyder’s strengths.