Film

Stop-motion animation is an art form that I hope never dies out, and I Am Frankelda proves why with its passion and creativity.

Lured in with the prospect of tentacles, Addison Heinmann’s Touch Me is much more than its tantalizing tidbits, offering equal humor and gore

Strange Harvest is a frequently engaging experiment that doesn’t get the desired result due to the undercooked nature of its storytelling.

Solidly entertaining and occasionally sharper than expected, The Pickup works best when it’s letting its cast do what they do best

Violent, bloody, dark, and yet deeply funny, Zach Cregger’s Weapons (2025) is the best horror film of the year so far.

Like the one before it, Lindsay Lohan and Jamie Lee Curtis’s Freakier Friday wants you to accept where you are and understand others too.

Any cringe Boys Go to Jupiter engenders is because teenagers are cringe; their shenanigans are a joy to watch.

An Honest Life is an overly severe misfire about a law student who falls in with anarchist burglars that can’t decide who it resents more.

Ick blends creature feature, goofy farce, and genuine message about being authentically yourself in an irresistibly anarchic blast.

 A lack of original jokes makes Happy Gilmore 2 a belated sequel that is passable, but highly unmemorable in Adam Sandler’s output.