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4×4 is a tense, Argentine white-knuckle affair that blends high concept, minimalism, and a bevy of moral quandaries.
If Judas and the Black Messiah is timely, it’s not because of racist cops or civil unrest: the title is earned by the film’s blatant calls for revolution.
After Midnight is a hybrid genre film with aspects of horror and romantic drama, but leans more into its breakup story than its horror story.
The Yin-Yang Master: Dream of Eternity sees the world threatened by the return of a legendary demonic serpent. But the serpent may not be the only enemy
Space Sweepers is directed by Jo Sung-hee and is a pure science fiction film that showcases class commentary, space battles, and more.
The stories of the women that were murdered in the witch trials are historic tragedies, that’s why The Reckoning is unforgivable.
If the goal of Sundance’s NEXT program is to highlight filmmakers with an ear to the pulse of culture, then Carey Williams earns his place with R#J
Sator (stylized SATOR) is an existential, slow-burn horror film that blends fiction and truth, written and directed by Jordan Graham.
Written and directed by Mike Cahill Bliss tells a story about mental health and healing through the veil of science fiction.
From A24, Lee Issac Chung’s Minari paints an illustrious picture of a Korean family just trying to make it in 1980s Arkansas.
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The Secret Woman follows when an amnesiac woman’s previous life catches up with her. She is drawn into a mystery that never fully comes together.
Forgotten Island is a rich cultural celebration with an important message about the importance of building memories through relationship.
All Wishes Come True! is a fun reimagining of classic legendary characters who come by their immortality by just themselves.