Film
The History of Sound is a slow, sonorous trod through the woods between two lovers, literally and emotionally, as they record folk songs together.
As a feature debut, Obsession shows Barker knows exactly how to make his audience squirm, and delivers hope for a promising future in horror.
To enter Sirat’s dominion is to enter a cinematic trance so engulfing that we become one with its oppressively gorgeous desertscape.
A Useful Ghost is more than its comedic-enriched premise. An underlying social commentary emerges that will stand the test of time.
Unfolding at a leisurely pace, The Secret Agent eschews conventions to manifest as a living, breathing cinematic novel.
Though Exit 8 struggles to sustain its atmospheric highs, becoming less interesting with each loop, it survives as a daring genre exercise.
While the story drags on too long, its pacing can’t overpower the utter sweetness and simplicity of teenage love in Love Untangled.
Caught Stealing blends pulse-pounding thriller, black comedy, and an exploration of guilt into a mixture that works far better than it should.
Honey O’Donahue stumbles into a criminal conspiracy involving a manipulative pastor in the geniusly subversive Ethan Coen film Honey Don’t.
The Roses isn’t thorny enough for its scent to linger as Olivia Coleman and Benedict Cumberbatch go to war in The Roses.
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10Dance understands the heart of Inoue Satoh’s manga, and director Keishi Otomo understands precisely how to embrace the audience.
Primate (2025) is at home in its absurd violence, pulling apart jaws, smashing in skulls, ripping off faces, is where it shines.














