Film

The Snow Sister (2024) is refreshing in its embrace of the ghostly habits of more somber traditional Christmas storytelling.

Our Little Secret further proves Lindsay Lohan’s charm and versatility in comedy, while giving us another rom-com heroine to cheer for.

Moana 2 has a buried heart, if you an find it beneath the bad songs and annoying new characters Moana takes with her to find other peoples.

Jacques Audiard’s ‘Emilia Pérez’ is a deeply offensive movie towards México with its shallow and unauthentic representation.

No matter how many strange twists or turns the movie takes, Transmitzvah is a coming-of-age journey well worth taking.

While its perspective is limited and its plot is procedural, Joy (2024)’s filmmakers’ reverence for the people who made IVF possible is clear.

Despite its witty title and shiny trappings, The Merry Gentlemen ‘s embrace of the shallow also extends to its barely there romance.

For all it does well, it’s a shame that almost every frame of Wicked feels like it was designed by committee rather than with hand-crafted care.

Flow is a simple, thrilling, and thought-inducing movie about a set of mismatched animals who learn to survive catastrophe together.

Steve McQueen’s latest, the visually lush Blitz, follows a nine-year-old boy and his perilous journey to return home.