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Power Ballad is a sweet, deeply sincere movie from John Carney that reaffirms why we create art.
The Last Viking is a reminder that experimenting with and pushing the limits of genre blending can pay off (and should be done way more).
No Place For Football highlights the beautiful game’s resolute and resilient nature, exploring the turbulent organisation of Greenlandic football.
I Love Boosters is a welcome return for filmmaker Boots Riley, a heist film that goes bigger and broader than one single genre.
Star Wars: The Mandalorian and Grogu is a good addition to the Mando-verse, even with its tonal and technical flaws.
Jack Ryan: Ghost War is a fine action movie, but the runtime and choice of medium undercuts why Tom Clancy stories have remained salient.
Untold UK: Jamie Vardy digs into the details of football’s most incredible underdog story, from the streets of Sheffield to the Premier League.
Silent Friend demonstrates the peculiarities and constants throughout the passage of time through three different eras and characters.
LifeHack from director Ronan Corrigan is a compelling heist film that shows there’s still plenty of room for innovation within the screenlife genre.
Labyrinth (2026) is a misguided, loud, and dull take on the evils of the internet that fails to find any interesting depths.
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The Secret Woman follows when an amnesiac woman’s previous life catches up with her. She is drawn into a mystery that never fully comes together.
Facing El Chapo follows a pair of police men as they try to bring in a notorious drug lord before his people can kill them.
All Wishes Come True! is a fun reimagining of classic legendary characters who come by their immortality by just themselves.