Film
K-Pops is an adorable family comedy that, while treading familiar territory, provides a father-son relationship that shines bright!
Form, feel, and style pervade in The Brutalist, whose very construction informs its weighty meditation on American mythmaking.
Transformers One breathes new life into the Transformers franchise in the most superb ways, while keeping it rooted in the canon beloved by fans.
Aside from its fascinating take on its anti-aging science, Shell is a tonally confused, half-baked attempt at a girl power moment.
Heretic will challenge its viewers, even if it doesn’t necessarily challenge or take a definitive stance amid its discussions.
Luca Guadagnino’s Queer is so overpowering and mesmeric, that it becomes almost instinctual to fall under its sultry spell.
Blumhouse’s Speak No Evil severely misunderstands the appeal of the original, offering little but a pale imitation.
Red Rooms is a harrowing thriller that centers the moral rot that can accompany going down the true crime rabbit hole.
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The Snow Sister (2024) is refreshing in its embrace of the ghostly habits of more somber traditional Christmas storytelling.
Jacques Audiard’s ‘Emilia Pérez’ is a deeply offensive movie towards México with its shallow and unauthentic representation.
That Christmas may not be the most revolutionary holiday film, but there’s enough heart, silliness, and prime messaging in this animated film to give it its wings.