Toronto International Film Festival (TIFF)

While it loses steam in its final act, Hur Jin-ho’s The Assassin(s) weaves a tense conspiracy-ridden tale that will suck people in.

As a feature directorial debut, Ah Girl is a strong outing for Ang Geck Geck Priscilla, with Ong Xuan Jing’s performance bringing it all together,

Fjord follows a single family who face intense scrutiny for their beliefs, leading to a major shake-up in their lives.

Minotaur conjures the feeling of looking at an impressive, politically charged painting, but with little emotional power or pathos.

Honey Bunch loses its sweet touch with time, turning its strongest plot elements into little more than a farce by film’s end.

In banking so much of its genre exercise on setups and backstories Wake Up Dead Man suffocates before it can even get started.

Writer/director Christopher Nelius, producer Camilla Mazzaferro, and whistlers Lauren Elder and Carole Anne Kaufman talk about the film Whistle

Director Lee Hwan and actresses Han So-hee and Jeon Jong-seo discuss how what drew them to Project Y, the complex characters they play and more.

Writer/director Curry Barker discusses how operating on a lower budget impacts his process from writing to filming on Obsession and more.

Ahead of the world premiere of Whitetail, we spoke with writer/director Nanouk Leopold and actress Natasha O’Keeffe about the film.