TIFF

‘Poolman’, directed by Chris Pine, feels like a sketch comedy skit gone awry, left to haphazardly unfold way past its punchline.

A Normal Family from director Hur Jin-ho is a strong think piece, one that provokes a deep look inward to expose our true selves.

With Dear Jassi, director Tarsem Singh Dhandwar returns to the country of his birth with his most unadorned and powerful film to date.

‘Hit Man’ starring Glen Powell is the type of elevated studio comedy sorely lacking in today’s Hollywood.

Reptile is a maximalist exercise in pastiche that is stupidly easy to decipher and at its heart lies Del Toro’s captivating performance,

Dumb Money is a fun time at the theatre that contains some great performances but doesn’t provide audiences enough to chew on.

Dream Scenario is an indelibly creative venture that will only get better with time, primed to be a cult classic.

Taika Waititi’s specific brand of referential, prolonged comedy is laden with diminishing return in Next Goal Wins.

The Holdovers manifests as a priceless relic of a bygone era, a lost 70s classic that doubles as a new Christmas classic.

Monster teems with humanity, using its narrative structure to uncover something prescient and devastating about modern morals.