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The Platform 2 fails to ascend past its predecessor, retreading familiar territory and forgoing the benefits of delicious ambiguity.
A thriller-comedy with a bit of bite, Get Away has an iffy execution of the third act, but the payoff is fun mayhem all the same.
What makes this Kurosawa film, Cloud (2024) stand out is the dedication to using every situation as the build-up to something rich.
The Assessment is equal parts chaotic and devastating, capturing the complexities of parenthood and how far one will go to prove worth.
Halfway between a drama and a thriller, tragedy is key to Andrews’ storytelling in Bring Them Down, leaving you questioning if you’ll watch again.
Red Rooms is a harrowing thriller that centers the moral rot that can accompany going down the true crime rabbit hole.
Kaniehtiio Horn’s Seeds highlights her distinct voice and perspective and also confirms she deserves more leading lady material.
Righteously angry, Rebel Ridge is a pointed indictment of the United States policing system and a near perfect thriller.
As admirable as The Seed of The Sacred Fig is, heavy-handed messaging and a clunky third act keep it from greatness.
The Accident is a thrilling exploration of the darker sides of guilt and grief and how those emotions can ripple and destroy a community.
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The Art of Sarah is too much of a good thing. Its mystery takes too many frustrating twists and turns. Still, the topics it explores offers much.
Unfamiliar follows a couple of ex-spies as their past catches up with them, threatening the lives they’ve made for themselves.
Trust (2025) delivers a lackluster survival thriller that’s only worthwhile in order to support female filmmakers.