Sundance
Sundance 2022 has been filled with features that span genre, budget, and more – we have a review round-up for you to cover some.
We speak with ‘Utama’ director Alejandro Loayza Grisi about his exquisite environmental love story set in the Bolivian highlands.
The wonderful documentary ‘Sirens’ serves both as the story of an all-female Lebanese thrash metal band and a portrait of social unrest.
By following a pair of kite-rescuing brothers in New Delhi, ‘All That Breathes’ creates a masterful portrait of hope in the middle of a sea of hate.
John and the Hole is an unsettling and confusing debut from director Pascual Sisto with powerful performances by its small cast
Set in the harsh, but stunning landscape of upstate New York in the eighteenth century, The World To Come is a romance built on hope.
13 is a difficult age for any teenager. It’s a time we excitedly looked forward…
If Judas and the Black Messiah is timely, it’s not because of racist cops or civil unrest: the title is earned by the film’s blatant calls for revolution.
If the goal of Sundance’s NEXT program is to highlight filmmakers with an ear to the pulse of culture, then Carey Williams earns his place with R#J
In Land, Edee, a lawyer that has just suffered a tragedy loses the ability to connect with people and retreats to a remote mountain cabin to disappear.
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Buddy (2026) squanders its potential due to inconsistencies in its aesthetic, characterization, and a misjudged B-plot.
Leviticus (2026) offers jumpscares and deeply realistic moments of conversation that will shake audience members.















