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‘Harleen #1,’ from DC Black Label, is a reimagining of Harley Quinn’s origin and specifically her tumultuous romantic relationship with the Joker.
In Jeff Lemire’s ‘Frogcatchers,’ a man wakes in an abandoned hotel at the end of the world where someone has nailed a frog to the door.
There’s more than seeds under the soil of ‘Farmhand Vol 2,’ published by Image Comics, written and illustrated by Rob Guillory,
In the Tall Grass is a strong adaptation of a good novella. While it isn’t perfect, it is a film that will keep you from stopping by a field.
Color Out of Space is a vivid nightmare written and directed by Stanley, based on the H.P. Lovecraft short story of the same name.
The Cleansing Hour stands head and shoulders above American-made films that have come out in the possession genre in recent years.
The crew of the Disco Queen finally make it to Syngen Station in ‘The Weatherman Vol. 2 #4’. But will they make it back out alive?
Episode one of the Creepshow revival brings us horror and charm in “Gray Matter” and “The House of the Head,” only on Shudder.
In “Taizo,” we learn more about the evil spirit haunting and killing the Terminal Islanders in the camp, and we see Chester deal with shocking news.
‘The Man Who Came Down the Attic Stairs’ follows Emma, who after giving birth fears a supernatural force growing in the house.
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A slow-burning submarine voyage into cosmic dread, Iron Lung, directed by Mark Fischbach, fundamentally trusts its audience.
Anti-colonial horror at its finest, Mārama is moving and cathartic, Ariana Osborne makes this Maori gothic revenge horror story near perfect.
Gore Verbinski returns with Good Luck Have Fun Don’t Die, we talked with him about the film’s overt stance against AI, and his return.