Monster teems with humanity, using its narrative structure to uncover something prescient and devastating about modern morals.
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Jonathan Glazer’s The Zone of Interest is one of the most damning portraits of human consciousness ever committed to celluloid.
The Boy and the Heron is a mature, solemn, and jubilant meditation on loss and legacy, one that deems death to be a transitory act.
Justine Triet’s Anatomy of a Fall, like the most resonant of art, reflects life in all its ambiguity back at us at every opportunity.
Alone. Isolated. Lonely. Grief. In her feature film, debut writer and director Hong Sun-eun expertly crafts a visual narrative of…
Snakehead, by Evan Jackson Leong, is as much about the underworld of human trafficking, as it is about the emotional toll being an immigrant takes.
In the strange spirituality of The Mad Women’s Ball, a merciless medical system, and the systemic abuses that women have historically suffered come together
TIFF 2021: The Eyes of Tammy Faye shows unearned mercy to its subject but does it with such style that all sins are forgiven.