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Punk, cool, and genre-blending, Karan Kandhari’s Sister Midnight is a debut feature film that goes for the jugular.
The Apprentice is an aspiring crook epic, aiming to lay bare the moral rot that comes with capitalism. More often than not, it hits its target.
Jung Hae-in and Hwang Jung-min are a dynamic action duo that balance each other perfectly in I The Executioner.
Outside of Julia Garner’s understated performance and sharp direction, there’s not enough fresh to recommend visiting Apartment 7A
Woo Min-ho’s Harbin is tension-ridden and offers a shallow albeit successfully inspiring display of resistance against all odds.
Surprisingly, House of Spoils is bewitchingly relevant—using ambition and talent to tell its lead and audience to just let it go.
A college student is possessed by the ghost of an assassin in Ghost Killer, a fun action comedy film that delivers spectacular action sequences.
Adding a sci-fi element in the mix, V/H/S/Beyond succeeds for one reason: nearly all the segments are great.
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The Snow Sister (2024) is refreshing in its embrace of the ghostly habits of more somber traditional Christmas storytelling.
Jacques Audiard’s ‘Emilia Pérez’ is a deeply offensive movie towards México with its shallow and unauthentic representation.
That Christmas may not be the most revolutionary holiday film, but there’s enough heart, silliness, and prime messaging in this animated film to give it its wings.