Film

Kevin Hart’s suave charm shines in Lift (2024), a heist film with endearing ensemble chemistry, making it a worthwhile Netflix watch.

Sixty Minutes creatively sets a movie timer for MMA fighter Octavio to get to his daughter’s seventh birthday or risk losing her.

The Beekeeper has dialogue that’s more wince-inducing than any gory act of violence it depicts in this lifeless Jason Statham action vehicle.

While the Mean Girls 2024 story and its songs are great, it’s the work that the cast puts in that makes the musical film extraordinary.

‘Great Pretender razbliuto’ centers the story on Dorothy who, despite not remembering her past, is thrown into danger with mounting threats.

The Book of Clarence is a sonorous take on the biblical epic that leaves us with plenty to chew on while bouncing to a gorgeous beat.

Chaotic instead of kinetic, the film does a lot for so little. Ultimately Hulu’s Self Reliance is somehow a lot and nothing at all.

At its core, Noryang: Deadly Sea embodies a war epic in absolutely every sense of the genre as we see Yi Sun-sin’s story come to a close.

Miss Shampoo adds its own take to the gangster/civilian romance trope, but thankfully never gets too serious. Instead, it embraces the silly

Dan Levy writes, directs, and stars in Netflix’s ‘Good Grief’ about a man processing the death and infidelities of his husband.