Film

D*cks: The Musical is one of the strangest displays of creativity and spectacle committed to screen all year, and probably long before that.

The Conference sees some municipal employees’ team building retreat take a deadly turn when a determined killer crashes the party.

All the Fires is a reminder of how proximity to queerness saves lives in this Mexican coming-of-age story from first-time director Mauricio Calderón Rico

Foe is full of incredibly interesting ideas and pulls great performances out of all three of its actors, but it’s trying to be too much at once.

The Burial captures the core of Southern courtroom dramas and engages with race and class directly, making those tropes better for it.

One of the best films of the year, GKIDS Film’s Blue Giant captures the beauty, power, and emotional resonance of jazz.

Strong performances give a helping hand to A Deadly Invitation, a Mexican whodunit that offers light entertainment but not much else.

With a fantastic cast that sells you on every joke and vapid play to get in someone’s bed, Totally Killer is totally fantastic.

Ballerina is a decent addition to the action genre, albeit with a slightly forgettable plot. Jeon Jong-seo is one to remember.

The Mill isn’t nuanced in its message about burnout and the way our workplaces exploit us, and you know what, it doesn’t have to be.