Film

In The Summers is a painfully perfect film about the anguish loving your family can cause and the way our memories change as we age.

Love Me (2024) is interesting, to say the least. A buoy and a satellite fall in love and find sentience and belonging along the way.

Miller’s Girl is aimed at pushing buttons, but it isn’t tantalizing or intriguing; it’s just absolutely boring. 

Filled with humor—and ultra-violent fight scenes—Badland Hunters is a top-tier popcorn flick for anyone in love with the action genre.

Inside the Yellow Cocoon Shell, the feature film debut from Phạm Thiên An, follows a young man who must deliver his sister-in-laws body to her hometown.

The Kitchen is a slightly sci-fi movie that feels extremely present despite being set in the future, in Daniel Kaluuya’s directorial debut.

Steven Soderbergh employs visual experimentation for a one-of-a-kind ghost story whose stars shape into a winner.

The American Society For Magical Negroes is a hollow representation of its subject instead of a satirical skewering of a dangerous trope.

Love Lies Bleeding is a visceral love story that allows Kristen Stewart and Katy O’Brian to be hammers of retribution shaped by romance.

When In A Violent Nature is firing, it does so on all cylinders and that almost makes up for its staggered pacing.