Film

Moana 2 has a buried heart, if you an find it beneath the bad songs and annoying new characters Moana takes with her to find other peoples.

Jacques Audiard’s ‘Emilia Pérez’ is a deeply offensive movie towards México with its shallow and unauthentic representation.

No matter how many strange twists or turns the movie takes, Transmitzvah is a coming-of-age journey well worth taking.

While its perspective is limited and its plot is procedural, Joy (2024)’s filmmakers’ reverence for the people who made IVF possible is clear.

Despite its witty title and shiny trappings, The Merry Gentlemen ‘s embrace of the shallow also extends to its barely there romance.

For all it does well, it’s a shame that almost every frame of Wicked feels like it was designed by committee rather than with hand-crafted care.

Flow is a simple, thrilling, and thought-inducing movie about a set of mismatched animals who learn to survive catastrophe together.

Steve McQueen’s latest, the visually lush Blitz, follows a nine-year-old boy and his perilous journey to return home.

Red One haters are just naughty-listers; it’s a fun and creative take on the holiday spirit as Santa’s kidnapped and unlikely heroes must save Christmas.

Hot Frosty is just as silly as its premise promises, with Dustin Milligan giving peak golden retriever energy and then some.