Film
Filled with humor—and ultra-violent fight scenes—Badland Hunters is a top-tier popcorn flick for anyone in love with the action genre.
Inside the Yellow Cocoon Shell, the feature film debut from Phạm Thiên An, follows a young man who must deliver his sister-in-laws body to her hometown.
The Kitchen is a slightly sci-fi movie that feels extremely present despite being set in the future, in Daniel Kaluuya’s directorial debut.
Steven Soderbergh employs visual experimentation for a one-of-a-kind ghost story whose stars shape into a winner.
The American Society For Magical Negroes is a hollow representation of its subject instead of a satirical skewering of a dangerous trope.
Love Lies Bleeding is a visceral love story that allows Kristen Stewart and Katy O’Brian to be hammers of retribution shaped by romance.
When In A Violent Nature is firing, it does so on all cylinders and that almost makes up for its staggered pacing.
An unassuming film, A Real Pain will stay with those who carry their family’s trauma buried underneath their own weeping.
Krazy House is Steffen Haars and Flip Van der Kuil’s English-language debut and it does a lot, with Nick Frost rising to the occasion.
Handling the Undead invests in how terrifying grief can be through the lens of the zombie genre, posing important questions in the process.
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Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
10Dance understands the heart of Inoue Satoh’s manga, and director Keishi Otomo understands precisely how to embrace the audience.
Primate (2025) is at home in its absurd violence, pulling apart jaws, smashing in skulls, ripping off faces, is where it shines.














