Film
Under Paris follows Sophia as she faces a deadly shark who has been driven into the Seine due to pollution and environmental changes.
Dakota Johnson and Sonoya Mizuno star in the character-driven comedy, Am I OK? which can’t fully live up to its promise.
Bad Boys: Ride or Die is micro-content that’s ballooned way past its terminal point, subsisting off influencer cameos, feigned comedy, and gimmicky action.
The Blue Angels has exciting aerial cinematography that can’t drown out a weak commercial-like documentary narrative.
Colors of Evil: Red tells a brutal tale of violence and corruption when a young woman suffers a heinous act that leaves her dead.
A Part of You is a powerful depiction of a teenager coping with sudden and horrific loss, but the movie itself is drawn out and disinteresting.
The Shrouds is a cold and stiff film itself, akin to that of a corpse, and not in a complimentary fashion.
With pedal-to-the-metal performances from all, horrifyingly creative gore, goo, and everything in between, The Substance is a knockout.
Atlas is pretty and Lopez continues her run as a competent action star, but the film badly wants to be an anime without any worldbuilding.
My Oni Girl follows Hiiragi and Tsumugi as they go on a life-altering adventure filled with fantastic danger and self-discovery.
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Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
10Dance understands the heart of Inoue Satoh’s manga, and director Keishi Otomo understands precisely how to embrace the audience.
Primate (2025) is at home in its absurd violence, pulling apart jaws, smashing in skulls, ripping off faces, is where it shines.














