Film
Rebel Moon – Chapter One: Chalice of Blood makes good on its promise to provide a more coherent version of the duology’s opener.
At its best, Deadpool & Wolverine is a raunchy, R-rated comedy that a pre-teen audience would find edgy—as lazy as a blockbuster can get.
Sayonara Girls explores the melancholy of graduation through the eyes of four teenage girls as they grapple with where their lives go next.
Find Me Falling is a perfectly serviceable, middle-of-the-road rom-com where washed up musician John Allman runs into the subject of his hit in Cyprus.
Blue Period (2024) stands as a near-perfect adaptation, capturing the loneliness and uncertainty of becoming who you want to be.
All The Long Nights is a simple film that explores how two people can weave together hardship into something beautiful.
The Look Back anime film tackles sentiments of inferiority, depression, and friendship in a nuanced way that punches beyond its 58-minute run time.
New Strains is an experimental, truthful look at the experience of quarantining during a pandemic shot in surreal Hi8.
A sequel rarely captures the electricity of the original, but Twisters does thanks to Glen Powell’s chemistry and charisma.
Vanished Into The Night treads familiar territory, providing little more than distraction as it fails to do much to elevate its characters.
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Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
10Dance understands the heart of Inoue Satoh’s manga, and director Keishi Otomo understands precisely how to embrace the audience.
Primate (2025) is at home in its absurd violence, pulling apart jaws, smashing in skulls, ripping off faces, is where it shines.














