Film
Taku Aoyagi turned his life experience during the pandemic into relatable gold in Tokyo Uber Blues, highlighting Aoyagi’s future in film.
Outside explores generational trauma and suffering as a family struggles to survive a zombie apocalypse in this Filipino film.
With solid performances and a twist at the end, Family Pack (Loups-garous) is an excellent pick for any family movie night.
Love Stuck honors the original film, maintaining the magically impactful lessons and overwhelming heart its predecessor carried.
Writer-Director Parker Finn’s Smile 2 is one of the best theater horror experiences of the year, thanks to its darkness and its absurdity.
Anna Kendrick’s directorial debut, Woman of the Hour, is a tense and staggering thriller based on true events.
Set during the first Japanese Invasion, Uprising (2024) is an action drama with a friendship that grounds the tensions of the period.
Lonely Planet takes a subdued look at love as it follows two strangers who meet at a writers retreat and discover something they were missing
Her Blue Sky explores the complexities of regret and love as Aoi’s past collides with the present forcing long dormant feelings to return.
My Hero Academia You’re Next shows why superhero fatigue has yet to set in for fans of Horikoshi’s characters.
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Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
10Dance understands the heart of Inoue Satoh’s manga, and director Keishi Otomo understands precisely how to embrace the audience.
Primate (2025) is at home in its absurd violence, pulling apart jaws, smashing in skulls, ripping off faces, is where it shines.














