Film
One of Them Days is consistently funny, relatable, hard-hitting, and a poignant time at the theaters that you won’t want to miss.
Blumhouse-produced Wolf Man (2025) tries to explore humanity but winds up losing its teeth instead, still, its saved by its lead performance.
Survive (2025) isn’t a terrible film. It has an interesting premise and solid acting, yet, it can’t capitalize on the unique parts of the plot.
Night Call is a solid film, a great chase, and an action wonder. But narratively, it just can’t carry its own theme’s weight.
The Six Triple Eight tells a realistic story based on facts and first-person accounts from the 6888th Battalion, delivering an emotional tale of forgotten women of color.
A Complete Unknown makes all the modern movie mistakes while never really getting to the heart of what makes Bob Dylan interesting.
Eschewing aesthetic flash, Juror #2 is a classically effective drama that thrives off of impeccable staging and layered performances.
Netflix’s Carry-On is an action thriller that absolutely understands where it belongs in its genre and in the Christmas season.
The War of the Rohirrim may not reach the heights of Peter Jackson’s trilogy, but it stands as a worthy addition to the universe.
Thordur Palsson’s The Damned (2024) is an intriguing horror film that creatively showcases the damaging effects of guilt.
TRENDING POSTS
A slow-burning submarine voyage into cosmic dread, Iron Lung, directed by Mark Fischbach, fundamentally trusts its audience.
Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
Emerald Fennell’s latest, “Wuthering Heights,” trades in gothic storytelling for pastel dreams and a pedestrian affair.














