Film

Universal’s Drop shows that once again, Christopher Landon can turn a narrative gimmick into a gold medal genre thrill ride.

Clown In A Cornfield is a great stab at the early aughts sensibilities, aesthetics, and comedy that we haven’t seen executed this well in a while.

Not only does Opus draw too much from the drying well of an increasingly tired horror concept but lacks the bite to make the venture worthwhile.

Night Fight is admirable in its ambition and scope but far too scattered in its execution to come together as a cohesive work.

Friendship is bizarre, unsettling, and, for the right audience, one of the funniest movies to come out in quite some time.

The Day the Earth Blew Up is proof that legacy characters don’t have to rely on nostalgia to have successful modern movies.

Despite its emphasis on control, Control Freak loses it by juggling different variables. There’s potential there, but it is delayed on launch.

The Accountant 2 is a more mature film than its original that doesn’t distance itself from the concept that has been raked over the coals.

Sadie Sink leads O’Dessa, an original rock opera that spans music genre and packs every frame with excess.

Hallow Road sees Rosamund Pike and Matthew Rhys on a trip into pure dread in an impressively sustained thriller like no other.