Film
Prom Dates has some highlights, but like most proms, it’s a completely forgettable dramedy about best friends trying to find last minute prom dates.
13 Bombs sees a terrorist cell attempt to destabilize the Indonesian financial system and drag two cryptocurrency executives into the plot.
Ryusuke Hamaguchi delivers a haunting and mournful thriller in his latest, Evil Does Not Exist, which shows the effects of urban gentrification.
Brutal action, vibrant cinematography, and a stellar score should be a top-tier actioner—but Boy Kills World gets lost in the middle.
City Hunter thrives on its absurdity. Sure, Ryo Saeba isn’t the most likable protagonist, but he is endlessly charismatic.
Rebel Moon Part 2: The Scargiver sees the battle come to Veldt as Kora leads her village against the forces of Admiral Noble.
With a witty script, solid scares, and creatively gory violence, Abigail is one Vampire story you won’t want to miss in theaters.
The Ministry of Ungentlemanly Warfare suffers from a lack of focus that makes it not much more than Guy Ritchie on autopilot.
Spy X Family Code White gets five Stella stars by channeling family hijinks and Mission Impossible all in one go.
Stolen (2024) Follows a Sami Reindeer herder as she struggles to get justice for her people in the face of hostility and indifference.
TRENDING POSTS
‘Attack on Titan: The Last Attack’ is produced by MAPPA and directed by Jun Shishido and Yuichiro Hayashi now brings the thrilling conclusion in one theatrical piece.
Love Forever is a new low for Netflix Originals—a completely bland and boring romance about two people who shouldn’t be getting married.
Jacques Audiard’s ‘Emilia Pérez’ is a deeply offensive movie towards México with its shallow and unauthentic representation.