Film
Predators lacks the structure or commitment to completely confront its subject in a satisfying manner, but gets close in some key areas.
‘Attack on Titan: The Last Attack’ is produced by MAPPA and directed by Jun Shishido and Yuichiro Hayashi now brings the thrilling conclusion in one theatrical piece.
Bunnylovr is a strong showing of tenderness and understanding that highlights Katarina Zhu’s ability to paint an immersive portrait.
Writer-director Rashad Frett’s feature debut, Ricky (2025), is necessary viewing, and a prime example of compassionate storytelling.
Plainclothes (2025)Â is an emotionally dense watch as Lucas comes into his truth, but his guilt weighs heavy.
LUZÂ is backed by an easy on the eyes aesthetic, but its wandering nature and lack of real insight leaves it as a missed opportunity.Â
Cole Webley and Robert Machoian’s Omaha (2025)Â is a family portrait you can’t pull your eyes away from, a movie that thrives in subtly.
Rose Byrne’s If I Had Legs I’d Kick You will make you want to crawl under my seat, it will make you want to simply stop existing.
It’s Never Over Jeff Buckley (2025) lifts the curtain back on the lost voice of a generation, revealing someone who contained multitudes.
Atropia (2025) is a different kind of military movie using comedy and irony to highlight the evils of war and the ridiculousness of being an actor.
TRENDING POSTS
‘Attack on Titan: The Last Attack’ is produced by MAPPA and directed by Jun Shishido and Yuichiro Hayashi now brings the thrilling conclusion in one theatrical piece.
Love Forever is a new low for Netflix Originals—a completely bland and boring romance about two people who shouldn’t be getting married.
Jacques Audiard’s ‘Emilia Pérez’ is a deeply offensive movie towards México with its shallow and unauthentic representation.