Film
On Swift Horses is anything but swift, a banal slog that only intermittently comes to life when it’s not trodding over a well-beaten path.
Another Simple Favors offers its biting humor in small doses, it plots a confusing but mostly dynamic mystery with Anna Kendrick and Blake Lively.
The Electric State is more than a road trip sci-fi film, it becomes a mirror to how society has historically treated those it deems as “other.”
Tense, unique, and unafraid to let silence dominate, We Bury The Dead is nothing you’d expect and everything that makes a zombie story compelling.
Amy Wang’s directorial debut, Slanted (2025) uses genre storytelling to capture a lived experience that resonates deeply.
The Rivals of Amziah King is a phenomenal sophomore film for Andrew Patterson, with Matthew McConaughey and Angelina LookingGlass leading.
Death of a Unicorn may struggle initially and edge on too much replication, even for an original concept, but it’s still a fun time.
The Surfer (2025) is a hell of a ride, taking audiences through a ridiculous rivalry between a man who just wants to surf and the men who refuse to let him do so.
GG Hawkins’ sophomore film, I Really Love My Husband, is simple and slow, excelling in capturing a real messy paradise.
The Parenting brings a couple and their parents to a remote rental for the weekend only for the haunted house’s demon to test their relationship.
TRENDING POSTS
In Snow White (2025) Rachel Zegler stands out in a good remake sullied by a bad casting choice and over-reliance on underperforming digital aspects.
Dave Franco and Alison Brie’s Together (2025) is disgustingly funny, genuinely ugly, and just a good time at the movies.
Warfare (2025) is told from memory, and this A24 project can’t stop feeling intimately personal, even when it shocks.