Film
In The Rat, from writer and director Carlen May-Mann, 18 year-old Renee goes with her boyfriend Jim to an old abandoned house and horror unfolds.
‘The Laundromat’ is based on the real Panama Papers publication where journalists revealed the leaked documents of Mossack Fonseca’s high-profile patrons.
Co-written and co-driected by Scott Beck & Bryan Woods, Haunt is will make you think twice before you enter any haunted house again.
Eli is the story of a boy plagued with a debilitating illness that requires him to live completely sealed off from the outside world, until it isn’t.
Maleficent: Mistress of Evil is a gorgeous visual treat with a deeper lesson about people, there motivations, and seeing what they really are.
The Lighthouse is an atmospheric and bleak horror film from Robert Eggers that brings the best out of its stars Willem Dafoe and Robert Pattinson.
Though it employs cutting-edge tech and intense action sequences, Gemini Man is hampered by a poorly written script and an underutilized cast.
Shudder exclusive GWEN is a gothic tale of woe that explores the dangers of modernity and industrialization with atmospheric dread.
In Zombieland: Double Tap, we’ve moved to the American heartland and have to face off against evolved zombies, and fellow survivors.
It’s that spooky time of the year, and Hulu is back with their Huluween programming and Wounds is up to scare you with psychological horror and bugs.
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The Super Mario Galaxy Movie is a bit of a mess, prioritizing lavish visuals and a critical mass of references over telling a coherent story.
Mike & Nick & Nick & Alice gives Vince Vaughn a moment to shine in dual performances but struggles with the competing tones.
The Red Line, the latest Netflix international release, is a thrilling game of cat-and-mouse that follows a group of women seeking justice.











